1/18/2024 0 Comments Macro photography bugs![]() ![]() Stavale uses a program called Zerene Stacker for focus-stacking, but you can also do this in Photoshop. He then blends the appropriate images together to create one seamless image. Stavale takes a handful of photos, five or 10 or even 20, each with a different focus point. Stavale’s images are just a single photograph, others are a series of images that he focus-stacked in post-production. This subject is completely motionless, so I was able to play with a few different settings to get my final photo. You can get a sense for the size by looking at the flower it’s on. Stavale once used some plastic flash diffuser to place the insects on, some white poster board to bounce his flash, and a hotel menu for the “studio” structure. For this project, make sure you buy it in white.) In a pinch, Mr. (Actually, I’d recommend gaffers tape, which will blow your mind and make you wish duct tape had never been invented in the first place. You only need foam core, poster board, duct tape, and tissue paper. For example, if you’re not shooting in the field, you might try making this “Light Box,” which Mr. Stavale prizes diffused light for his photos, so he recommends practicing multiple ways to diffuse your light. To keep your ISO low and your aperture narrow, a macro photography must have a quality light source. In order to have a greater depth of field to capture detail, you will shoot at higher f-stops (f/8, f/11, f/16, and even beyond). Stavale says that live macro photography is all about light. Since his subjects are live insects, increased zoom helps him stay slightly farther away so as not to frighten the subject, although anyone familiar with macro photography will know that you’ll still be just inches in front of your subject no matter what.Īs with all genres of photography, Mr. Stavale’s 105mm becomes a 157mm lens, undoubtedly beneficial for insect macro photography. Since the D500 has a crop factor of 1.5, Mr. A benefit to the crop sensor camera is that the crop factor multiplies the focal length of the lens. The Nikon D500 is Nikon’s top-of-the-line crop-sensor camera. ![]() Stavale’s current setup in the field is a Nikon D500, the Nikon 105mm f/2.8 macro lens, a set of extension tubes, and an SB600 or SB800 Speedlight with a Lastolite Ezybox diffuser. Stavale’s gear and techniques followed by a detailed breakdown of several images. Stavale expertly photographs insects both at home in Maryland and in Africa. With his passion for the smallest in life and inspiration from others, Mr. Stavale credits photographers such as Alex Wild, Thomas Shahan, Nicky Bay, and John Hallmen as inspiration for his photography. He uses photography to take his my mind off of work and focus solely on the subject at hand. Stavale’s work is stressful and consuming. He is a contractor with the National Institutes of Health, and he works with a group that spends considerable time in Western Africa, focusing on outbreaks and aftermaths of high-consequence pathogens like Ebola, Nipah, Lassa. Stavale is a microbiologist specializing in virology. Photograph courtesy of Eric Stavale.īy day, Mr. Since then, we’ve followed each other’s photography journey, mine in portraiture and his in macro photography. We first met climbing rock walls at a local climbing gym in Maryland. Stavale and I have known each other for several years. To bring you the tips and techniques you’ll read in this article, I interview Eric Stavale. The texture of a flower petal, the rainbow swirl of oil in a puddle, or the intricacy of an insect can be seen in stunning detail with the right light, technique, gear, and a little patience and luck mixed in. ![]() A good macro photograph can reveal a world we would normally overlook. ![]()
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